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The stereo ( functionally dual mono ) phono module is an absolutely no-compromise design
which uses a three stage, distributed gain, series and shunt feedback arrangement. The
first stage is a series feeback gain block for lowest noise, followed by a two stage shunt
feeback system to implement the RIAA phono correction. The low frequency and high frequency
RIAA time constants are implemented in separate gain blocks so that they may be set
precisely and without mutual interference; whilst the shunt feedback arrangement ensures
adherence to the RIAA curve at high audio frequencies. The series feedback ( only )
arrangement, common in non top end equipment, deviates from the RIAA curve at high audio
frequencies unless an additional time constant is incorporated; in most instances the extra
time constant isn't included.
Each individual power line to each gain block has its own voltage regulator and
these in turn are supplied from master positive and negative regulators for each channel.
The stereo phono module therefore incorporates no less than 16 voltage regulators to ensure
an absolutely silent "virtual battery" power supply to the gain blocks.
The first stage amplifier is a straightforward, series feeback, very low-noise gain
block which does not participate in the RIAA correction. This means that the overall gain
of the phono stage can be set to accomodate any MM or MC cartridge simply by altering the
value of one resistor. Details of how to accomplish this are included in the construction
manual. The pcb also incorporates component locations for the correct resistive
( frequently 47Ω for MC and 47kΩ for MM cartridges ) and capacitative ( varies between 0
and 470pF for various cartridges ) termination of the cartridge in use.
The phono stage comes in two variants, standard and audiophile. The standard version
uses 1%, 50ppm metal film resistors, 1% polystyrene and polypropylene film capacitors,
standard electrolytics for decoupling, and the most cost effective low noise op-amps. The
circuitry of the audiophile version is slightly different to the standard version and uses
0.1%, 15ppm Welwyn RC55Y resistors, 1% polystyrene and polypropylene film capacitors, Elna
RSH electrolytics for decoupling, and the best low noise op-amps that money can buy which
are specially biased to operate in class A throughout ( yes, that means the output stages
too ).
The overall noise of the phono stage is down near the theoretical minimum for the
audiophile version and is set by the feedback resistors associated with the input gain
stage, rather than the gain stage itself, whilst the noise of the standard version is only
slightly higher than that of the audiophile version. The overall distortion is below the
measuring floor of the vast majority of test instruments for both versions of the phono
stage, and deviation from the RIAA curve is <0.2dB for the standard version and <<0.05dB
for the audiophile version. The phono stage, solder masked and component location
silkscreened, pcb measures 92 x 103mm and normally requires a power supply of ±24V at 50mA,
although lower voltages are possible at the expense of power supply rejection ratio and
headroom.
Properly constructed and with a suitable power supply this phono stage is
unbeatable by any ready made unit, regardless of price! The assembled and tested
audiophile version of the stereo phono stage includes matching of polystyrene RIAA
time constant capacitors to 0.1%.
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